![]() But, you can then just take the dongle wherever you go and not worry about de-activating your other PCs with Resolve Studio running.īlackmagic also recommends you keep these keys and dongles safe, as they’re not exactly going to believe everyone who comes through with a request for a new key if they’ve lost it. If you want two or more systems running on the same Dongle, you’ll need to purchase another. This means you’ll have to sacrifice a USB port to Resolve and it’s only one system at a time. The Dongle is a bit different in that it needs to always be plugged in for Resolve Studio to recognize that it is activated. ![]() This is great for DaVinci Resolve’s method of collaboration, so you and a partner can work on the same project at the same time. With the Activation Key, you can move between operating systems and have up to two systems running off the same key at once. There’s also a version on the Mac App Store, but this is highly unrecommended to not download, as it is often receiving less support, is a little more expensive and limits you to only ever working on a Mac. The Activation Key is a card with a code on it, while the Dongle is literally a USB dongle that Resolve can communicate with to give the thumbs up for letting you through to the Studio version. The reseller and Blackmagic won’t email you the code like with a modern piece of software, meaning you have to plan around the actual delivery of the said product. When you order the DaVinci Resolve Activation Key, you’ll receive a physical product. ![]() However, there are a couple of methods of getting a DaVinci Resolve Activation Key, one including no key at all. It doesn’t matter what version you get, because you still need to go and download the Studio version from the website, which will most likely be 17 at this point. It’s why when you buy a Pocket Cinema Camera 4K, you might get a box promoting DaVinci Resolve 16 when we’re on 17 and some resellers will even still have stock from when it was version 12 or 14. See, DaVinci Resolve doesn’t have a subscription, you pay the $300 once and you own it forever, including future versions. ![]() A big part of this is the specifications, which still recommend older hardware as a base, but also the way you buy the software can be a little confusing. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.Blackmagic Design’s DaVinci Resolve is sort of a legacy product in some ways, still clinging onto the past as the company pushes it forward to the consumer. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. Start using DaVinci Resolve 14 Studio, click Start. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally.
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